22.6.09

Where "Untold Scandal" was invited to participate ?


These are some of the international film festivals where Untold Scandal was invited to participate ~~
Untold Scandal was invited to the following international film festivals:

1. Pusan International Film Festival, South Korea (Oct 2003): received NETPAC Award (network for the promotion of Asian cinema) for Best Korean Film - Untold Scandal
2. Berlin International Film Festival, Germany (Feb 5 – 15, 2004):
For my money, the best film at Berlin so far has not been in the main competition but in the international cinema sidebar. Untold Scandal, by the South Korean director E.J. Yong, is an exquisite reworking of Dangerous Liaisons transplanted to 18th-century Korea. The story of a cynical seduction that turns to grand romance, then to tragedy, is revitalised by this magnificent-looking film. Its eroticism, mystery and poignancy are captivating and the performances are outstanding. It surely can't be long before the rest of the world will be able to see this marvellous film. From The Guardian by Peter Bradshaw in Berlin
3. Deauville Asian Film Festival, France (Mar 10-14, 2004): Closing Film
4. New Directors/ New Films, New York, USA (Mar 24 –Apr 4, 2004): only 22 movies all over the world were included and only 2 Asian films were included
5.Verona Romance Film Festival, Italy (Apr 16-25, 2004):
The prize for Best Artistic, Technical or Creative Contribution goes to E J-yong for the direction of “Untold Scandal”.
The accredited journalists at the festival awarded the “Stefano Reggiani” special prize from the Veneto’s Order of Journalists to “Untold Scandal” (South Korea), directed by E J-yong, for the following reasons: “For the chromatic elegance of the photography, which creates descriptive and lyrical scenes of luminous incisiveness; for the balance of contrasting emotions played as opposing forces yet voices of a solid musical harmony. For the symbolic value of detail and its meticulous care, open to allegory and metaphor; and for the sound-track: orchestral counterpoint which is discreet – subtly minimal, never overpowering”.

6. Barcelona Asian Film Festival, Spain (Apr 30- May 8, 2004): Opening Film
The best way to start BAFF was with one of the latest jewels from that country: Untold Scandal. Directed by E J-yong, this period film is an adaptation of the classic French novel “Dangerous Liasions”, but this time transposed to fit Korea’s Chosun Dinasty period. And it sure works! The story works perfectly well, portraying the struggles between the repressive customs of that period and people’s desires, with that Korean touch. The director, with the help of impressive performances from all the cast, the beautiful scenery and a brilliant production design, is capable of creating a superb movie which surely deserves a viewing!

7. Seattle International Film Festival, USA (May 20 – Jun 13, 2004): the largest film festival in the U.S.
I've now seen the Dangerous Liason story done at least three times, and this is every bit as good as any other version. Actually, the story translates very well into a Korean film of nobility and manners in the 18th century. This film has unbelievably wonderful costumes, makeup, hair, sets. Every visual aspect was under total control and seemed authentic. The acting was above average. … the best looking film of the festival so far. -from 2004 Seattle International Film Festival Journal

8. Shanghai International Film Festival, China (Jun 5 – 13, 2004): received 3 awards Best Director Award, Best Music Award, 500 journalists at the festival awarded Best Visual and Sound Effects to Untold Scandal

9. Sydney Film Festival, Australia (Jun 11-26, 2004): official selection
This masterfully crafted costume drama is a luscious, sexy and sly re-telling of 'Les Liaisons Dangereuses', brilliantly transposed to Korea at the end of the 18th century.

10. Los Angeles Film Festival, USA (Jun 17-26, 2004): official selection
With exquisite cinematography and gorgeous sets and costumes of 18th century Korea, this elegant film is mesmerizing and painfully gripping at the same time. …. Bae Yong-jun succeeds at giving the character great depth and layers. Asia Pacific Arts



11. Edinburgh International Film Festival, United Kingdom (Aug 18-29, 2004) (the UK's leading Film Festival): Closing Film
The “Scandal” is an outstanding film which is equal to the “2046”, esthetically & artistically and it will become a good chance to confirm the status of Korean movies which are distinguishing themselves in the World film field.
Excellent acting from Lee Mi-sook as Lady Cho and Bae Yong-jun as Cho-won (by Elf)

12. Montreal World Film Festival, Canada (Aug 26-Sep 6, 2004)
The invited field is 'Cinemas of Asia' section in the Montreal Film Festival, 'Scandal' by E-J Young has been invited and compete with 25 movies from Asia for the 'Golden Zenith' Award.

The Montreal Film Festival is an international film festival held every September in Montreal in Quebec in Canada, and it boasts the authority and scale equal to the world's 3 major film festival.

13. Korean Film Festival, Auckland, New Zealand (Oct 22-31, 2004)
Untold Scandal possesses a beauty beyond 'skin-deep', and comes as highly recommended viewing.–Mia V

14. Hawaii International Film Festival, Hawaii, USA (Oct 2004)
one of the world’s ten most important film festivals and Untold Scandal is one of the festival's Signature Galas

15. Leeds International Film Festival, United Kingdom (Oct 29-Nov 7, 2004):
Official selection
An exquisitely photographed cavalcade of vivid colours and gorgeous sets complimented by fine performances, particularly from Bae Yong-jun, as the villain of the piece.

16. Three Rivers Film Festival, Pittsburgh, PA, USA (Nov. 5 – 18, 2004) (Filmmaker’s Film Festival)
Breathtakingly filmed with meticulous attention to details, Scandal is a feast for the senses.

17. Anchorage Film Festival, Alaska, USA (Dec 5, 2004)
Bae Yong-jun is not as devilish as John Malkovich, who played the role in the American film, but he is more playful in his deceits. He's also more believable as a man for whom the ladies would fall. … Director E J-Yong succeeds because he treats the subject with irony and makes the story even more sophisticated than it was originally conceived. Miami Herald

18. Glasgow World Film Festival, Scotland (Feb 10-17,2005)
The ever-growing Asian film industry is represented by, among others, “Untold Scandal” – a Korean take on “Les Liaisons Dangereuses” set in aristocratic 18th-century Korea.

19. Third Jameson Dublin International Festival, Ireland (Feb 11-20, 2005)
Untold Scandal, a version of ‘Les Liaisons Dangereuses’, was for Michael Dwyer "one of the most beautiful, gorgeous looking films I’ve ever seen." Asian Horizons

20. Bradford Film Festival, United Kingdom (March 4-19, 2005)
-as Special Preview at the National Museum of Photography, Film and Television.

The tenth film based on Choderlos de Laclos 18th Century novel of courtly sexual intrigue, Les Liaisons Dangereuses, this unexpected Korean adaptation is almost perfect. The central performance from Bae Yong-Jun, as the seducer Jo-won, is magnificent combining sublime charm and base deceit. Equally, Lee Mi-Suk as the arch manipulator Lady Cho, would be an outstanding Lady Macbeth on this form.

21. Istanbul International Film Festival, Turkey (April 2-17, 2005)
“Scandal-The Love Story of Men & Women in Chosun” by Director E J-Yong is invited to international competition section so that it plans to add its power in creating Korean film boom.

22. Belfast Film Festival, United Kingdom (April 7-16, 2005)
This stunning film had me entranced throughout its entire two hours. It’s rich, dynamic and absorbing, and a genuine cinematic triumph. …. You’ll enjoy a cavalcade of gorgeous sets, a story of remarkable emotional force, and an ending to die for. Fantastic.
–Leicester Mercury – UK News

23. Alba Regia International Film Festival, Székesfehérvár, Hungary (June 6-12, 2005)

24. Chlortrudis Society for Independent Films (March 2005) - nominated for Best Adapted Screenplay - In this tenth iteration of Les liaisons dangereuses to hit the screen, and possibly the most erotic, writers Dae-woo Kim and Hyeon-jeong Kim and director Je-yong Lee use a subplot of underground Catholics to add to the flavor of risk and repressed sensuality. A beautiful overlay of Korean culture on a French story.

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